National Operatic
& Dramatic Association
London Area
Report

Society

:

Mortimer Dramatic Society

Production

:

“TAKE AWAY THE LADY”

Date

:

25th October 2003

Venue

:

St John’s Hal1 Mortimer

Report by

:
;

Henry Hawes - NODA Representative - Region 13

   

I was pleased to be invited to review this latest production by Mortimer Dramatic Society as had never seen this particular play before. The writer Jimmy Chinn had constructed an excellent mystery play, centred around the Doubleday family with skeletons in their cupboard, in particular, the biggest skeleton being Matthew Doubleday who had been released from prison after serving 15 years for killing his mother, a charge he refuted. On his arrival at the family home we have the usual recriminations from various members of the family who eventually through various twists and turns reveal at the end, who was the culprit. This play suited the talents of this society very welt indeed and who presented on stage seven excellent actors who presented their individual characters very well indeed, all performed in an excellent, atmospheric setting by a director who knew what he wanted.


Stan Emery - (RICHARD OWEN)
Sarah Clarke - (CELIA OWEN) - I have combined these two together as there was little to choose between them. Both gave strong performances as the daughter and son-in-law, with Sarah leaving us in no doubt as to what she thought of Matthew coming home on his release from prison and Richard attempting to be the ‘peacemaker’ in the family squabbles, and at the same time, attempting to sort the matter out with the aid of Emma, who everybody looked down upon, but which he realised, she was more sensible than people gave her credit for. Sarah’s diction and characterisation was spot-on and Richard was as good, although I would have liked a little more projection on the voice as at times it was difficult to hear what he was saying - Congratulations to both of you for fine performances.


Mari Fleming - (EMMA DOUBLEDAY) - As the youngest daughter who was looked on as not the brightest of the family, but who in fact was a lot sharper than the rest of them put together, gave an excellent portrayal, she displayed very well this aspect, but at the same time showed that she was more ‘with it’ than they gave her credit for. Here we had good diction, projection and some telling facial expressions - Congratulations on a fine portrayal.


Cathy Bowman - (GILDA DOUBLEDAY) - As the estranged spouse of Matthew, Cathy was suitably belligerent and caustic about her husbands return from prison, her tantrums over the situation were most realistic. Here was another performer who presented good diction and projection making this a most believable character - Well done.


Mary Challenor - (LAVINIA DOUBLEDAY) - I gained the impression that Mary thoroughly enjoyed this part. She threw herself fully into it and gave a most believable and strong performance. I could not fault her characterisation in any way. Here was good diction and projection with well pointed lines - Congratulations.


Graham Jerome - (MATTHEW DOUBLEDAY) - Graham portrayed well his insecurity on returning to the family home, having spent a number of years in prison for murdering his mother and having to endure the antagonism directed at him from certain members of the family on his return. He subtly portrayed his inital diffidence to the realisation at the end that his plea of innocence was fully justified. Lines were well pointed and movements well controlled, but watch your voice projection as at times you lowered your voice too much so that some of the words were lost to the audience - A well presented part.


James Mclnnes - (CHARLES DOUBLEDAY) - As the head of the family, trying to control the recriminations by members of his family on the return of Matthew from prison, James gave an excellent performance and one could see the RADA training coming to the fore. Well pointed lines with good clear diction and projection - A well crafted characterisation.


Tom Shorrock - (DIRECTOR) - I reviewed Tom’s initiation into the realms of directing with “Spring and Port Wine”, for which he did a very good job. He is obviously a fast learner as witnessed with his second presentation, “Take Away The Lady”. He had picked a very good cast who he had characterised very well in their various roles, bringing out all the nuances in the script. Lines had been well pointed and stage positioning could not be faulted, all presented in an atmospheric setting, no mean feat within the confines of this stage. The inter-action between the various performers was excellent with a good pace maintained throughout. My only small comment is the fact that a couple of the performers did not project sufficiently, so that at times one lost their words. Always remember that voices have to reach the back of the hail as well as the front. Apart from that comment, this was an excellent play and congratulations.


Stage Manager & Crew - This appeared a well managed stage with no noticeable hitches throughout the performance.


Set Design & Construction - The Mortimer technicians once again excelled with an excellent set, well designed, well constructed with just the right decor - Congratulations.


Lighting Plot & Operation - A good lighting plot ensuring the right ambience was generated throughout the performance. Operation on the night of my visit could not be faulted.


Wardrobe - Costumes had been well researched and fitted the characters displayed as well as the period.


Set Dressing - Once again M.D.S. triumphed with their set dressing. Obviously a lot of thought had gone into this aspect and complimented fully the excellent set - Congratulations.

 
Make-up - What make-up was used had been applied correctly and stood up well under the strong stage lighting.

 
Programme - The programme was, what I consider, to be the right size. It contained all the relevant information, well laid out with good reproduction of the cast photographs together with interesting biographies on each member. My only comment is that perhaps the cover could have been on a heavier paper, making it more substantial. I was sorry to see no reference in the programme of your affiliation to NODA!


Front of House - As one has come to expect from this society, Front of House Staff were welcoming to their audience.
Thank you for inviting me to your latest production Take 4 wa v he L aay which I thoroughly enjoyed, as did the audience. May I take this opportunity of wishing all at Mortimer Dramatic Society a Very Happy Christmas and many successful productions in 2004.

Henry Hawes - NODA Representative - Region 13